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The Poetry of Jimi Hendrix (IV) – “Up from the Skies” February 26, 2011

Posted by rwf1954 in Jimi Hendrix, lyrics, music commentary, rock music, Uncategorized.
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(This is the fourth of a series of posts about the lyrics of rock super-guitarist Jimi Hendrix. This is certainly what I meant when I introduced this blog and said “So my readers should expect all kinds of digressions, everything from some musical musings to an off-the-wall comment about the world.” I am a musician well as a writer, writing and performing. I cover nine Hendrix songs (here is a current playlist of what I perform with my drum-bass machine set-up). This series of posts is not about songs like “Foxey Lady” and “Little Miss Lover.” A handful of Hendrix songs glisten with a lyrical inventiveness, uniquely poetic and musical, words and music existing in a smooth symbiotic combination. The lyrics drip and glide through the songs the way Jimi Hendrix’s guitar notes drip and glide through auditory space. These will be the songs I will discuss in these posts. Of course, these posts represent my interpretations of these lyrics. This is not an exact science. Your comments, agreeing and disagreeing are invited.)

In his jazzy, bluesy “Up From the Skies,” the song’s singer approaches us—he just wants to talk to us. He seems to be familiar with us, but has been separated from us for awhile, maybe for eons, maybe returning from another world. (This is also implied by the juxtaposition of “Up From the Skies” just after the opening album-cut of “Axis: Bold as Love”—“EXP,” which refers to UFOs.) The singer is puzzled by what he finds as he encounters us. Through his questions, he comments on contemporary humanity:
• Why are we living on a “people farm,” in “cages, tall and cold?” With this inquiry, the traveler implies that the world we have designed for ourselves lacks a sense of free spirit.
• What happened to the “rooms behind your minds?” It looks to him like they’re empty, like a “vacuum,” though he considers he could be missing something. He asks if it is “just remains from vibrations of echoes long ago,” things like loving the world and letting “fancy”/enjoyment flow, which he implies are now missing Have we given up joy and embraced some form of dull, stifling rigidity? He keeps asking— “Is this true?” He wants to engage us to find out.
• He acknowledges he was here before—“the days of ice.” He could mean the Ice Age, eons ago, or just a cooler period.
• He has returned, and now finds “the stars misplaced, and “the smell of a world that has burned.” These are wonderfully poetic images that could mean many things. “The stars misplaced” could mean the world has changed locations. It could also be an astrological comment, that the future we should be enjoying has not arrived, that our path has been changed, not for the better, maybe irrevocably.
• “The smell of a world that has burned” could also have various meanings. In the late 1960s, nuclear annihilation was a persistent fear. Has this narrator returned after a nuclear holocaust? In “House Burning Down,” (a song I will discuss in a later post), he offers some similar images. The “burning” could refer to the casual violence some people appear willing to inflict on others. I do not believe this is an early reference to global warming, even though we have “days of ice” followed by a “the smell of a world that is burned.” This song came out about a decade before fears of a new Ice Age, and well before global warming became an environmental concern. I do suspect the references to “the world that has burned,” refer to some sort of human violence.
• Though puzzled, the singer is utterly fascinated with the changes he has seen, “the new Mother Earth,” and he wants to “hear and see everything.”

The bouncy to tone of the song implies that the singer is not agitated by these developments, though they seem to be dark, disturbing developments—“people farms,” “living in cages,” “smell of a world that has burned,” “the stars misplaced.” The song’s singer’s attitude of whimsical curiosity also suggests a detachment—he does not consider himself part of this world he is observing. The simple chords and driving beat combine with the music to create the glib flippant tone of the strong: IV7-I7 (with a few added 9ths thrown in), one key change up to step to another set of IV7-I7 moves, with a bridge that is just the V to the IV, cadencing back to I after a brief instrumental. It’s a simple musical backdrop for deceptively provocative lyrics, creating a wonderfully intriguing internal contradiction.

Complete lyrics of “Up From the Skies”:

I just want to talk to you
I won’t do you no harm
I just want to know about your diff’rent lives
On this here people farm
I heard some of you got your families
Living in cages tall and cold
And some just stay there and dust away
Past the age of old.
Is this true?
Let me talk to you.

I just wanna know about
The rooms behind your minds
Do I see a vacuum there
Or am I going blind?
Or is it just uh, remains of vibrations
And echoes long ago?
Things like “love the world” and
“Let your fancy flow”
Is this true?
Let me talk to you
Let me talk to you.

I have lived here before
The days of ice
And of course this is why
I’m so concerned
And I come back to find
The stars misplaced
And the smell of a world
That has burned
A smell of a world
That has burned.

Yeah well, maybe it’s just a… change of climate
Well I can dig it
I can dig it baby
I just want to see.

So where do I purchase my ticket?
I’d just like to have a ringside seat
I want to know about the new Mother Earth
I want to hear and see everything
I want to hear and see everything
I want to hear and see everything 

Richard Warren Field plays Jimi Hendrix.

Axis: Bold as Love

Axis: Bold as Love